Over the steady tick of drum machines, clipped guitars and synths --- like The Blue Nile would sound if Glasgow were sunnier --- Tracey spins stories that feel true, no matter if they are or are not.. Perhaps because of the Hull connection, The Whitsun Weddings never seem far away ("It becomes still more difficult to find // Words at once true and kind // Or not untrue and not unkind" could be from Idlewild or Larkin). "The Night I Heard Caruso Sing" gently worries about nuclear war with infinitely more subtlety than most of the agit-prop of the era, "Blue Moon Rose" (amazingly, written and recorded in a day) reminds you why your best friend is your best friend and "Oxford Street" has to be amongst the best songs ever written about growing up and leaving home ever written (having mentioned Nanci Griffith, I have to mention her "There's a Light Beyond These Woods, Mary Margaret"). The remaster sounds fresh and bright --- the Warner CD release, complete with the unnecessary addition of the cover version of Danny Whitten's "I Don't Want To Talk About It", always sounded like it had been done quickly from a production master --- without having the compressed to death feeling that mars so many re-releases these days. The sleeve notes are interesting, the bonus CD of B-Sides and demos is charming and the whole thing has obviously been done with a lot of love and care, as befits an album that you feel was made with a lot of love and care. I suspect that to a new listener, this album will sound slightly dated: nothing places a record in its time more than drum sounds, especially synthesised drum sounds. But if they get past that, the songs are superb, the production elegant and tasteful and the vocals precise and nuanced (and let's tip our hats to Ben for "Caruso" --- a live performance of that in, of all places, Warwick Arts Centre stays with me). It's a great album, well-deserving of a proper re-master and re-issue, and should be heard by everyone. ian
Over the steady tick of drum machines, clipped guitars and synths --- like The Blue Nile would sound if Glasgow were sunnier --- Tracey spins stories that feel true, no matter if they are or are not.. Perhaps because of the Hull connection, The Whitsun Weddings never seem far away ("It becomes still more difficult to find // Words at once true and kind // Or not untrue and not unkind" could be from Idlewild or Larkin). "The Night I Heard Caruso Sing" gently worries about nuclear war with infinitely more subtlety than most of the agit-prop of the era, "Blue Moon Rose" (amazingly, written and recorded in a day) reminds you why your best friend is your best friend and "Oxford Street" has to be amongst the best songs ever written about growing up and leaving home ever written (having mentioned Nanci Griffith, I have to mention her "There's a Light Beyond These Woods, Mary Margaret"). The remaster sounds fresh and bright --- the Warner CD release, complete with the unnecessary addition of the cover version of Danny Whitten's "I Don't Want To Talk About It", always sounded like it had been done quickly from a production master --- without having the compressed to death feeling that mars so many re-releases these days. The sleeve notes are interesting, the bonus CD of B-Sides and demos is charming and the whole thing has obviously been done with a lot of love and care, as befits an album that you feel was made with a lot of love and care. I suspect that to a new listener, this album will sound slightly dated: nothing places a record in its time more than drum sounds, especially synthesised drum sounds. But if they get past that, the songs are superb, the production elegant and tasteful and the vocals precise and nuanced (and let's tip our hats to Ben for "Caruso" --- a live performance of that in, of all places, Warwick Arts Centre stays with me). It's a great album, well-deserving of a proper re-master and re-issue, and should be heard by everyone. ian